Public Art as a Gateway
Public art is often experienced as a finished object, but in practice it is the result of months of engineering, fabrication, and installation.
Installed beneath Drinkwater Boulevard in downtown Scottsdale, Breakaway transforms the underpass into a gateway to the city’s Arts District. As Tanya Galin, Public Art Manager for Scottsdale Public Art, described it, “Breakaway has a contemporary feel, yet it harkens back to Scottsdale’s slogan as ‘The West’s Most Western Town.’ There’s a bit of the old and the new, past and the present.
From Digital Design to Fabrication Reality
Inspired by the simple form of a rope, Breakaway is made of looping aluminum elements that move through the underpass in a continuous gesture. Grygutis chose the rope because it is a familiar object with many meanings, allowing each viewer to form a personal connection with the work.
The project began with Barbara Grygutis’ design, which was developed into digital models. These models allowed the full installation to be evaluated before production began.

Every curve was assessed not only for visual continuity, but also for how it would be cast, assembled, and installed on site. This process created a detailed guide to use during fabrication, and allowed the team to anticipate how the full piece would come together.

Rapid prototypes were then produced. These prototypes worked as templates for both sand casting and mold-making for the final aluminum components, linking digital development to traditional foundry processes.
Fabrication and Finishing
Once cast, the aluminum components were welded, fitted, and finished to maintain seamless transitions between sections. Joins and surface work were refined so the installation would read as a continuous form rather than assembled parts.

Installing Breakaway in Downtown Scottsdale
During installation, the aluminum segments were brought into position and assembled into their final configuration. As each piece was installed, the full experience of the work began to emerge.

What had existed as discrete fabricated components in the shop became a continuous gesture onsite.
The final installation shifts the experience of the underpass from a transitional space into a defined public environment shaped by rhythm, repetition, and flow.








