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Throughout her practice, Allison Janae Hamilton (b. 1984, Lexington, KY) draws on her upbringing in the rural American South, weaving themes of environmental justice, folklore, and mythology into sculpture, photography, painting, and film.
Layering plant matter, landscape and figurative imagery, complex sounds, and animal remains throughout her work, Hamilton creates immersive spaces that consider notions of “Americana” and our relationships to land in the face of a changing climate, particularly in the rural American South.
Austin Eddy is a painter and sculptor born in Boston MA who graduated from the Art Institute in Chicago and is currently living and working in Brooklyn, New York. His work reevaluates the dwindling conversations of modernity in a world juxtaposed somewhere between abstraction and reality. Perched on the edge of reality, his works are a visual poem celebrating the ephemeral moment that exists only for a second, before flying away into the past.
Tucson, Arizona-based artist, Barbara Grygutis (Tucson AZ) creates public spaces that enhance the built environment, enable civic interaction, and reveal unspoken relationships between nature and humanity. She engages the public through her works of art by identifying themes meaningful to each specific site and community.
Her completed projects include sculptural environments integrated into urban and natural landscapes, iconic freestanding works, sculpture gardens, public plazas, gateways and signature markers, memorials, monuments, and works of art designed to enhance pedestrian and urban mass transportation systems.
Brad Kahlhamer is an artist known for his multi-media practice, ranging from sculpture and painting to performance and music. He draws on his tripartite identity in his art, navigating his Native American heritage, adoptive German-American family, and adult life in New York City’s Lower East Side, where he has lived since 1990. His “Dreamcatcher” series draws on the form of a traditional Native American symbol of unity and identification, which over time has become commercialized and often appropriated. This choice invokes the complexity and multiplicity of cultural histories, as he examines the cultural hybridity of navigating multiple communities simultaneously while addressing questions of representation of Native culture in the twenty-first century.
Carole Feuerman is recognized as one of the world’s most renowned hyperrealist sculptors. Her prolific career spans four decades. She sculpts and paints monumental, life-size, and miniature works in bronze, resin, and marble. She is best known for her large outdoor painted bronze figurative pieces with water themes. She resides in New York and Florida, with studios in Manhattan and Jersey City. In 2011, she founded the Carole A. Feuerman Sculpture Foundation.
